False Flags, by Massive Attack

new-dark-age
New Dark Age, by Nikola Jankovic

We going way back to 2009, Febuary when this track hits the box office. Composed of Regular resounding chords, more overlapping, like the ringing of echoes, crosfeeding  the silence, which otherwise would have all been the verses, an honest bargain, verses resplendent as the spring itself. Warm sun and beer, somehow managed to avoid the grease stains, camouflaged under self assumed glamour, like life is a monkey chasing business, for the ace at shooting the sling.

 

There is perhaps even an uptempo, bass heavy version to the song, gratefully justifying the depth that is contained in the lyrics, which by all means, in no small measure manifest the title. False flags. The way perhaps even nature demonstrates itself. The calm before the storm. The harvest after the drought, like an enduring autumn, like the grease stains in spring. The way it was always,  strike, spark and you know when a wish comes true. The way how mankind adapts and evolves,contradicting and misinforming itself. 

The complete piece perhaps better understood whilst given a quick glance over, rather than listened to as a piece of audio with musical accompaniments. Yet there is no harm that a bit of looping could do to the song, or the listener.

autumn-in-my-heart
Autumn in My Heart, By Ana Mutavdzic

The video to the original, slower version to the song, with great elaborations demonstrates from the lighting of a flame with an aristocratic cigarette lighter, to the passing of the flame onto the wick of a molotov cocktail. A good part of the entire composition constitutes of the conclusion where the chords and the notes play out their predestined, fading, simmering symphony. While the video plays out the hurling motion of that piece of creation of chemistry and patience. Botteled fuel,soaked, lit, momentary motives fulfilled. An emblematic vision the whole arrangements A sight of the human expression of violent rage, plated with soothing ambient sounds. The video to the uptempo version to the song at its best artfully depicts the exploits of the band through the ages.Of which it dates back to the year 1988. Hailing  from Bristol, England is Massive Attack and what they got for you is trip hop.

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